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If there is an art resource you would like to see in the library collection (book, journal, dvd, cd, etc), please send your recommendation to Ellie Seaton (emseaton [at] hawaii.edu) with the following information:
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Creative Wax Carving by
For both new and more experienced jewelers, this thorough class in wax carving teaches a fun, effective, and easy way to create beautiful pieces! Low maintenance and easy to do at home, wax carving requires just a handful of tools and inexpensive materials--and you can work on your kitchen table. Master jeweler and teacher Emilie Shapiro makes her hands-on techniques accessible to anyone, as she leads readers through the fundamentals, explaining how to make molds and multiple models with variations. With projects ranging from a very simple carved ring and tribal-inspired earrings to intermediate-level pieces like an Elephant Pendant, Snake Bangle, and Cuff Bracelet with a Bezel-Set Gemstone, this book is a must-have for every jeweler.
Woodworking Basics by
Woodworking Basics presents an approach to learning woodworking that has proven successful for hundreds of people who have taken the author's introductory course over the past 20 years. Peter Korn's method helps new woodworkers learn the right techniques from the beginning. More experienced woodworkers can use it to master the classic furniture-making skills key to fine craftsmanship. Korn includes two attractive and useful projects -- a small bench and a side table with a door and drawer -- providing you the opportunity to practice skills and develop confidence with tools. This book provides a step-by-step introduction to all aspects of woodworking, including: Safe use of woodworking machinery Correct use of hand tools Milling a board four-square Cutting a mortise-and-tenon joint Cutting dovetails
Soldering Made Simple by
This book is the complete guide to simple soldering.Soldering Made Simple takes all the mystery and fear out of soldering so that amateur jewelry makers -- even those who have never held a torch -- feel empowered and confident. Friendly and thorough instructional text and step-by-step photos help readers build skills gradually, which they can then employ with the included projects. Joe Silvera presents soldering techniques that use a simple setup, a handheld butane torch that is safe and easy to operate, and a few other supplies.
Just My Type by
A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you? Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)? Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.
Honolulu Magazine and Paradise of the Pacific by
Honolulu Magazine and Paradise of the Pacific: 125 Years of Covers is the capstone of HONOLULU Magazine's quasquicentennial celebration. More than 350 beautiful covers are collected in this hardcover collectible book, representing nearly every year of the magazine's existence. This is a transporting look back at the history of Hawai'i, chronicled not just through the cover art, but encapsulated in descriptions written by A. Kam Napier, HONOLULU Magazine editor, 2005 - 2013.
How to Make Hawaiian Ribbon Leis by 
Earth and Fire : modern ceramicists, their tools, techniques, and practices / by
Earth and fire represent the two elements that produce a ceramic object. Without the other they are simply components; together they create both practical objects and pieces of art. Working as both primer and inspiration, Earth & Fire explores the techniques, practices, and tools of over forty-five working ceramicists. Creating everything from wood-fired and fine porcelain wares; sculptured vases; everyday cups, bowls, and plates; to jewelry and wall pieces, these artists work in a wide range of styles and mediums to create their ceramics. Although the methods vary, the overall sentiment is that the earth and fire that the artists use to make their objects are the ultimate masters. Just when they think they know one thing, the clay, glaze, and heat will teach them another. There will always be more to learn. Working with clay is, quite simply, humbling. Written and compiled by Kylie Johnson and Tiffany Johnson, Earth & Fire captures the diverse beauty and utility of ceramics, demonstrating that clay doesn't just get under your fingernails; it gets under your skin.
A World History of Women Photographers by
A magnificently illustrated showcase of the work of 300 women photographers from all over the world, from the invention of the medium to the dawn of the 21st century. As in many fields of art history, the work of women photographers has often been overlooked, and few of their names are now widely recognized. However, women were closely involved in all major photography movements of the 19th and 20th centuries, and have used the camera as an extraordinary tool for emancipation and experimentation. These are artists who never stopped documenting, questioning and transforming the world, breaking down social boundaries, challenging gender roles and expressing their imagination and sexuality. To capture the diversity of this global body of work, Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this volume, which is a bold and beautifully illustrated manifesto as well as an invaluable work of reference.
Women Holding Things by
From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving meditation on the beauty and complexity of women's lives and roles, revealed in the things they hold. "What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love." In the spring of 2021, Maira and Alex Kalman created a small, limited-edition booklet "Women Holding Things," which featured select recent paintings by Maira, accompanied by her insightful and deeply personal commentary. The booklet quickly sold out. Now, the Kalmans have expanded that original publication into this extraordinary visual compendium. Women Holding Things includes the bright, bold images featured in the booklet as well as an additional sixty-seven new paintings highlighted by thoughtful and intimate anecdotes, recollections, and ruminations. Most are portraits of women, both ordinary and famous, including Virginia Woolf, Sally Hemings, Hortense Cezanne, Gertrude Stein, as well as Kalman's family members and other real-life people. These women hold a range of objects, from the mundane--balloons, a cup, a whisk, a chicken, a hat--to the abstract--dreams and disappointments, sorrow and regret, joy and love. Kalman considers the many things that fit physically and metaphorically between women's hands: We see a woman hold a book, hold shears, hold children, hold a grudge, hold up, hold her own. In visually telling their stories, Kalman lays bare the essence of women's lives--their tenacity, courage, vulnerability, hope, and pain. Ultimately, she reveals that many of the things we hold dear--as well as those that burden or haunt us--remain constant and connect us from generation to generation. Here, too, are pictures of a few men holding things, such as Rainer Maria Rilke and Anton Chekhov, as well as objects holding other objects that invite us to ponder their intimate relationships to one another. Women Holding Things explores the significance of the objects we carry--in our hands, hearts, and minds--and speaks to, and for, all of us. Maira Kalman's unique work is a celebration of life, of the act and the art of living, offering an original way of examining and understanding all that is important in our world--and ultimately within ourselves.
Making Comics by
The bestselling, idiosyncratic curriculum from a 2019 MacArthur Fellow will teach you how to draw and write your story "The self-help book of the year."--The New York Times Hello students, meet Professor Skeletor. Be on time, don't miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin-Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry's bestselling Syllabus, and this time she shares all her comics-making exercises. In a new hand-drawn syllabus detailing her creative curriculum, Barry has students drawing themselves as monsters and superheroes, convincing students who think they can't draw that they can, and, most important, encouraging them to understand that a daily journal can be anything so long as it is hand drawn. Barry teaches all students and believes everyone and anyone can be creative. At the core of Making Comics is her certainty that creativity is vital to processing the world around us.
The Hidden Language of Symbols by
A stimulating narrative and reference resource that guides the reader through the most significant symbols from worldwide art history. Why do we reach for the red rose on Valentine's day? Where did the owl gain its reputation for wisdom? Why should you never trust a fox? In this visual tour through art history, Matthew Wilson pieces together a global visual language enshrined in art: the language of symbols. Symbols exert a strong hold in the image-saturated 21st century, and have done so for thousands of years. From national emblems to corporate logos and emojis, our day-to-day lives abound with icons with roots in the distant past. Expert art historian Matthew Wilson traces the often surprising trajectories that symbols have taken through history, from their original purposes to their modern meanings, identifying the common themes and ideas that link seemingly disparate cultures. Thus we meet the falcon as a symbol of authority from the ancient Egyptian pharaohs to the medieval aristocracy; the dog as stalwart companion from the classical era to the Renaissance; and the mythical phoenix as a symbol of female power connecting a queen in England with a goddess in China. We also see moments of radical reinterpretation and change: the transformation of the swastika from an auspicious symbol of hope to one of hate. From Palaeolithic cave paintings to contemporary installations, Wilson deftly guides us through this world of symbols, showcasing their enduring ability to express power, hope, fear and faith, and to create and communicate identities, uniting - or dividing - the people that made them.
Underworlds by
A darkly evocative compendium of images exploring natural, constructed, imaginary and subconscious underworlds, curated by renowned image collector and social media figure Stephen Ellcock. From the burrows and secret bunkers beneath our feet to imagined hellscapes and surrealist dreamscapes, the disquieting, alarming and wonderful visuals span natural and constructed subterranea and imagined and subconscious worlds. A personal introduction by Stephen together with contextual chapter introductions establish the key themes, while supplementary texts elucidate essential concepts, historical events and figures. Thought-provoking literary, philosophical and spiritual quotations punctuate the intriguing images. Together, the images and authoritative text highlight the interplay between the real and the imagined, revealing how the real has fed our fears and hopes and informed our imagination - and conversely, how our imagination has depicted the esoteric, the abject and the unknown.
Anime by
Japanese animation is at the nexus of an international multimedia industry worth over $23.6 billion a year, linked to everything from manga to computer games, Pokémon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirited Away and beyond. Exploring the cultural and technological developments of the past century, Clements addresses how anime's history has been written by Japanese scholars, and covers previously neglected topics such as wartime instructional animation and work-for-hire for American clients. Founded on the testimonies of industry professionals, and drawing on a myriad of Japanese-language documents, memoirs and books, Anime: A History illuminates the anime business from the inside - investigating its innovators, its unsung heroes and its controversies. This new edition has been updated and revised throughout, with full colour illustrations and three new chapters on anime's fortunes among Chinese audiences and subcontractors, 21st century trends in 'otaku economics', and the huge transformations brought about by the rise of global streaming technology.
The Hawaiian Quilt by 
The Gauguin Atlas by
Paul Gauguin (1848-1903) was an artist perpetually in search of new horizons. This fascinating visual tour reveals the full extent of Gauguin's travels and their influence on his unique style. Gauguin's several lengthy trips to Tahiti and the Marquesas between 1891 and the artist's death, visits that provided the inspiration for many of his most famous canvases, are well known and documented here in rich detail. Less familiar are stories from his early years living with his family in Peru, which Gauguin would later describe as "idyllic," and his years in the French Navy, which would take him to numerous destinations including India. Throughout the 1880s, as a young man starting a family and struggling to become established within the art world, the restless Gauguin moved often--within Paris, to Rouen, to Copenhagen, and back to Paris. Abundantly illustrated with hundreds of vibrant images, including archival material and the artist's own works, The Gauguin Atlas brings to life the places that Gauguin visited and lived. The book's handsome design seamlessly integrates maps and other images with an accessible and engaging text that narrates Gauguin's travels; what emerges is a vivid picture of an artist continually seeking new experience and inspiration for his art.
William Edmondson by
A reassessment of self-taught artist William Edmondson, exploring the enduring relevance of his work This richly illustrated volume reintroduces readers to American sculptor William Edmondson (1874-1951) more than 80 years after his historic solo exhibition at the Museum of Modern Art. Edmondson began carving at the onset of the Depression in Tennessee. Initially creating tombstones for his community, over time he expanded his practice to include biblical subjects, the natural world, and recognizable figures including nurses and preachers. This book features new essays that explore Edmondson's life in the South and his reception on the East Coast in the 1930s. Reading the artist through lenses of African American experience, the authors draw parallels between then and now, highlighting the complex relationship between Black cultural production and the American museum. Countering existing narratives that have viewed Edmondson as a passive actor in an unfolding drama--a self-taught sculptor "discovered" by White patrons and institutions--this book considers how the artist's identity and position within history influenced his life and work. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (June 25-September 10, 2023)
Oceania by
Offering a fresh look at Oceania that incorporates new scholarship and perspectives from Indigenous voices, this book uses art to explore histories of expression and aesthetic innovation that epitomize this vast and expansive region. The visual arts of Oceania tell a wealth of dynamic stories about origins, ancestral power, performance, and initiation. This publication explores the deeply rooted connections between Austronesian-speaking peoples, whose ancestral homelands span Island Southeast Asia, Australia, Papua New Guinea, and the island archipelagoes of the northern and eastern Pacific. Unlike previous books, it foregrounds Indigenous perspectives, alongside multidisciplinary research in art history, ethnography, and archaeology, to provide an intimate look at Oceania, its art, and its culture. Stunning new photography highlights more than 130 magnificent objects, ranging from elaborately carved ancestral figures in ceremonial houses, towering slit drums, and dazzling turtle-shell masks to polished whale ivory breastplates. Underscoring the powerful interplay between the ocean and its islands, and the ongoing connection with spiritual and ancestral realms, Oceania:The Shape of Time presents an art-focused approach to life and culture while guiding readers through the artistic achievements of Islanders across millennia. Exhibition Schedule: Museum of Art Pudong, Shanghai (June 1-August 20, 2023) National Museum of Qatar, Doha (October 16, 2023-January 15, 2024) Published by The Metropolitan Museum of Art/Distributed by Yale University Press
No One Else by
In this graphic novel, Charlene is a divorced mom, has a young son named Brandon, and works full-time as a nurse while also caring for her infirm father. She is barely holding their lives together when tragedy strikes and leaves Charlene and Brandon on their own. Charlene, who has put everyone but herself first for years, sees it as an opportunity for a new start of sorts. That is, at least, until her easy-come, easy-go brother, Robbie -- a well-intentioned but unserious semi-professional musician -- rolls back into town after a long absence. Brandon, a good kid who aches for his absent father, focuses his grief on his cat, Batman, who hasn't been seen for a few days since he ran into the sugar cane fields that lie on the edge of their housing tract. No One Else is a graphic novel of great tender truth, as Charlene, Brandon, and Robbie learn to navigate life day to day with their plans, fears, and desires. Gorgeously drawn and set in the author's hometown on the Hawaiian island of Maui, it is the long-awaited follow up to Johnson's acclaimed debut graphic novel, Night Fisher, and a mature work of literary fiction that is certain to be one of the most talked-about books of 2021.
Carlson's Guide to Landscape Painting by
Written by a famous American painter and teacher, whose landscapes are found in many of the world's most noted museums, this book is known as one of the art student's most helpful guides. It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, atmospheric conditions, and other phenomena to be found in nature. Through his profound understanding of the physical nature of landscapes and his highly developed artistic sense, John Carlson is able to explain both the whys and the hows of the various aspects of landscape painting. Among the subjects covered are angles and consequent values (an insightful concept necessary for strong overall unity of design), aerial and linear perspective, the painting of trees, the emotional properties of line and mass in composition, light, unity of tone, choice of subject, and memory work. In the beginning chapters, the author tells how to make the best of canvas, palette, colors, brushes, and other materials and gives valuable advice about texture, glazing, varnishing, bleaching, retouching, and framing. Thirty-four reproductions of Mr. Carlson's own work and 58 of his explanatory diagrams are shown on pages adjoining the text. As Howard Simon says in the introduction: "Crammed into its pages are the thoughts and experiences of a lifetime of painting and teaching. Undoubtedly it is a good book for the beginner, but the old hand at art will appreciate its honesty and broadness of viewpoint. It confines itself to the mechanics of landscape painting but, philosophically, it roams far and wide. . . . This is a book to keep, to read at leisure, and to look into for the solution of problems as they arise, when the need for an experienced hand is felt."
The Landscape Painter's Workbook : Essential Studies in Shape, Composition, and Color. by
The Landscape Painter's Workbook takes a modern approach to thetime-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala.
Contents
Shape interpretation -- The picture window and its format -- Composition in action -- Notan and the compositional study -- Color precepts, color paradoxes -- The complete color strategy -- Color grouping -- Palette strategies.
Affinities by
A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds. In Affinities, Brian Dillon, who Joyce Carol Oates has said writes "fascinating prose . . . on virtually any subject," explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.
Drawing Architecture by
A comprehensive and practical guide full of advice and inspiration for anyone wishing to capture the beauty of the urban landscape. The wonderful thing about drawing buildings is that, wherever you travel around the globe, you will never be short of subjects to inspire you. From the most elaborate of Renaissance cathedrals, through to the humble garden shed, you will always be able to practise your skills and learn a few techniques in the process. This hands-on and inspirational book will encourage you to meet the exciting challenges of drawing and painting buildings using a variety of media and a wide range of techniques, including pencil, pen, graphite powder, watercolour, water-soluble pencils and Indian ink. As you work through this book, you will look at materials and their qualities then move on to explore how to put these materials to best use when drawing specific types of building. You will be led gently through levels of learning, with easy and more challenging exercises progressing your knowledge and developing your skills. As the book is divided into discrete sections, you can dip in to a particular type of building that you wish to draw, and use the information and illustration provided, while extended teaching exercises take you through the way the author approaches composing and completing a drawing. Fully annotated paintings, working drawings and extended projects reveal how each effect was achieved. Detailed artworks in a range of styles and media are thoroughly annotated to demonstrate key techniques and important details and there are invaluable exercises for understanding perspective, negative and positive space, tone, choosing details and constructing large-scale images. The book includes thorough studies of a wide range of different architectural styles, from town houses to rural cottages and barns, from churches and classical architecture to continental cafes and street scenes. Taylor's exquisite drawings and paintings demonstrate the quality of the results that can be achieved by following his helpful guidance and advice.
Drawing on the Right Side of the Brain by
A revised edition of the classic drawing book that has sold more than 1.7 million copies in the United States alone. Translated into more than seventeen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes: a new preface and introduction; crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain; new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.; an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity; and new reproductions of master drawings throughout A life-changing book, this fully revised and updated edition of Drawing on the Right Side of the Brain is destined to inspire generations of readers to come.
Drawing Thought by
Drawing as a tool of thought- an investigation of drawing, cognition, and creativity that integrates text and hand-drawn images. Drawing is a way of constructing ideas and observations as much as it is a means of expressing them. When we are not ready or able to put our thoughts into words, we can sometimes put them down in arrangements of lines and marks. Artists, designers, architects, and others draw to generate, explore, and test perceptions and mental models. In Drawing Thought, artist-educator Andrea Kantrowitz invites readers to use drawing to extend and reflect on their own thought processes. She interweaves illuminating hand-drawn images with text, integrating recent findings in cognitive psychology and neuroscience with accounts of her own artistic and teaching practices. The practice of drawing seems to be found across almost all known human cultures, with its past stretching back into the caves of prehistory. It takes advantage of the ways in which human cognition is embodied and situated in relationship to the environments in which we find ourselves. We become more aware of the interplay between our external surroundings and the inner workings of our minds as we draw. We can trace moments of perception and understanding in a sketchbook that might otherwise be lost, and go back to reexamine and revise those traces later. Kantrowitz encourages readers to draw out their own ideas and observations through a series of guided exercises and experiments, with her lively drawings and engaging text pointing the way. Drawing is a tool for thought in anyone's hands; it is creativity in action.
Grapefruit by
Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life. "Burn this book after you've read it." -- Yoko "A dream you dream alone may be a dream, but a dream two people dream together is a reality." "This is the greatest book I've ever burned." -- John
Handbuilt by
Covering the oldest and most traditional ways to make pots, Hand Built is a beginner's guide to hand building with clay - no pottery wheel required. This book will teach you the building blocks to working with clay and how to apply a professional finish to your pots including decoration, glazing and firing techniques. Learn how to create a collection of 23 stylish homeware designs using the three core techniques: coiling, pinching and slab building. Beginning with the basics to get you started, discover how to wedge clay, add texture and work with moulds, then put your new skills to the test through the projects that include coffee cups, a tea pot, vase, dinner plates, candle holders and more. Packed with stunning lifestyle photography to help inspire your own handmade journey alongside clear step-by-steps and Lilly's expert tips will lead you through the process, Hand Built is the ultimate modern guide this popular, tactile and ancient craft.
The Ceramics Bible Revised Edition by
Building on the success of the original volume, this revised edition of The Ceramics Bible features new techniques, terms, images, and artist profiles--as well as the tried-and-true step-by-step instruction and comprehensiveness that students, instructors, artists, and collectors have all come to appreciate. Since its debut in September 2011, The Ceramics Bible has been the go-to guide for anyone interested in this flourishing art form. The revised edition updates a quarter of the original content, while keeping the visually rich format and straightforward instruction that make the book such a valuable tool for makers and artists. Featuring a diverse array of contemporary artists, and a comprehensive guide to the best ceramics galleries, suppliers, residencies, workshops, and studios all over the world, this volume will teach you everything you want to know about making ceramics. AN EVERGREEN ART FORM: Ceramics and pottery never go out of style--in fact, these art forms continue to grow in popularity year after year. Whether you're a seasoned ceramicist searching for a reliable reference volume, or a new artist working your way through beginner techniques, this book is one you'll return to again and again. NEW AND IMPROVED: From social media marketing to 3D clay printing, the topics covered in this updated edition captures the technological and social changes that have shaped the practices and products of working ceramics artists. MORE THAN A HANDBOOK: With a plethora of gorgeous full-color photographs--including profiles of contemporary ceramics artists and examples of their work--The Ceramics Bible is both beautiful to behold and easy to use. This book will be equally at home on a living room coffee table as it is in the workshop. Perfect for: * Art and design students * Makers, craftspeople, ceramics artist, and pottery enthusiasts * Art instructors, educators, and collectors
The Urban Potter by
An illustrated step-by-step guide to making 20 unique handcrafted ceramics with simple, natural shapes and neutral tones without a kiln. With more and more people turning towards a slower way of life, away from endless screen time, creative pursuits like hand-building pottery are having their own boom. The Urban Potter is for those interested in expressing themselves through the ancient, tactile art of hand-building ceramics, while also being a guide to creating unique pieces. Emily's naturally wheel-free, unique style favors simple yet interesting imperfect shapes. Her focus is on reconnecting with hand-building techniques of the past, resulting in gorgeously rustic, one-off pieces that explicitly and deliberately reject the myth of perfection. Step-by-step projects include kitchenware, decorative accessories and more (soap holders, multi-functional jars). All the techniques involved, from moulding to glazing, are fully explained. By the end of the book you will have learned how to create 20 beautifully one-off handcrafted pieces, while leaning into the joys of slow ceramics and the mindful, relaxing, patient nature of the art.
Drawing in the Present Tense by
A richly illustrated, up-to-the-minute overview of new approaches in drawing, set in the context of recent developments of other forms of contemporary art. This book explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary, sometimes the sole, element of their practice, and one which is autonomous: an end in itself rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated - potentially beyond the capacity of human attention - what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools - one can also draw on a computer, tablet or smartphone, and examples of digital drawing are incorporated into the narrative not as a separate category but as one medium among many. Grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique, with essays and feature spreads for each section, this selection of international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artist's portfolio, this is an inspiring overview of the best drawing practice today.
Gauguin by
The first in-depth investigation of Gauguin's portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways Paul Gauguin (1848-1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin's portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist's conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century's most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin's overall artistic practice. Distributed for the National Gallery of Canada Exhibition Schedule: National Gallery of Canada, Ottawa (05/24/19-09/08/19) National Gallery, London (10/07/19-01/26/20)
Pacific Century: e Ho'omau No Moananuiakea by
Published by Hawai'i Contemporary on the occasion of the Hawai'i Triennial 2022 (HT22), Pacific Century--E Hoʻomau no Moananuiākea examines key art historical backgrounds and contemporary discussions on art, expanding the frame of reference for the Asia-Pacific region. Essays by HT22 co-curators lay out the critical approaches that shaped the framework of the Triennial around the fluid concept of a Pacific Century, while a selection of previously published seminal texts by artists and scholars reflect upon the field of art history in the region. Also included is a newly commissioned conversation with Homi K. Bhabha, illuminating his theoretical criticism that continues to carve out a new discursive space where the marginalized find their agency. Participating Triennial artists--from Hawai'i, Asia-Pacific, and beyond--are highlighted in a dedicated section with an original introductory text, work information, and images. Pacific Century--E Hoʻomau no Moananuiākea will be an essential resource for critical exploration of contemporary art in Asia-Pacific at large.
Essential Techniques of Landscape Drawing by
This beginner's guide to drawing in graphite pencil uses step-by-step exercises to teach fundamental methods for rendering all aspects of the natural landscape, with additional lessons on using charcoal, colored pencil, pastel, and other media. Following in the footsteps of author, artist, and art instructor Suzanne Brooker's previous title The Elements of Landscape Oil Painting, this book pairs the most universally-pursued topic for artists (drawing) with the popular subject matter of the natural landscape. Brooker breaks down landscapes into their various elements--including the earth, water, air, and trees--to convey how the fundamentals of drawing are applied to capture each aspect. Using the graphite pencil as her baseline instrument, Brooker provides you with step-by-step lessons that help you improve your rendering skills and re-create the beauty of the world outdoors. Examples from art history and contemporary masters supplement these lessons. The end result is a drawing instruction book that provides artists with everything they need to render landscapes no matter their skill level.
The Elements of Landscape Oil Painting by
A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life. Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. InThe Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts- sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. WithThe Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.
Landscape Painting by
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as-. Simplification and Massing- Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.. Color and Light- Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.. Selection and Composition- Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities.The lessons in Landscape Painting-based on observation rather than imitation and applicable to both plein air and studio practice-are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Another World by
Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
Problem Solving for Oil Painters by
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include- Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Women Painting Women by
Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
Color (Third Edition) by
Taking a practical approach to color, Color: A workshop for artists and designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between color theory and practice to inspire confidence and understanding in anyone working with color. This third edition is updated with more contemporary examples drawn not just from painting, but from textiles, graphic design, illustration and animation. An expanded discussion of digital techniques, new assignments and a refreshed design have all been brought together to create a highly readable and relevant text.
Color Theory : a critical introduction by
Giving an overview of the history of color theory from ancient and classical cultures to contemporary contexts, this book explores important critical principles and provides practical guidance on the use of color in art and design. Going beyond a simple recitation of what has historically been said about color, artist and educator Aaron Fine provides an intellectual history, critiquing prevailing Western ideas on the subject and challenging assumptions. He analyses colonialist and gendered attitudes, materialist and romanticist perspectives, spiritualist approaches to color, color in the age of reproduction, and modernist and post-modernist color strategies. Highlighted throughout are examples of the ways in which attitudes towards color have been impacted by the legacy of colonialism and are tied up with race, gender, and class. Topics covered include color models, wheels and charts, color interaction and theories of perception, with over 150 images throughout. By placing under-examined tenets of color theory such as the color wheel and color primaries within the Western industrial context that generated them, Fine helps you to connect color choices to color meanings and apply theory to practice.
Contact 2014-2019 by
Catalog of the art exhibition "CONTACT," which was held annually from 2014 through 2019 at various locations across Oʻahu.
Edvard Munch by
A remarkable examinationof Edvard Munch's prints,which were central tohis creative processand established hisreputation as an artist. Edvard Munch (1863-1944), one of the most famous expressionist artists, is best known for The Scream. However, this was just one of the many haunting depictions of raw human emotion, which he fully developed in highly sophisticated prints. Munch's youth was marked by sickness and poverty, and his early works centered around the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Experimental and innovative, the style that Munch developed was a radical deviation from the nature of the society portraits and grand Scandinavian landscapes then in vogue. Continually revisiting the subjects of his paintings, Munch evoked a wide range of emotion and mood in his prints and strikingly large lithographs, partly by using an innovative jigsaw technique in his woodcuts that produced a wide variety of color and tone. Featuring an interview with Norwegian writer Karl Ove Knausgaard, Edvard Munch: love and angst, published 75 years after the artist's death, will shed light on the imagery and production of some of Munch's most intriguing, often overlooked prints.
Hearts of Our People : Native women artists by
Hearts of Our People: Native Women Artists explores the artistic achievements of Native women and establishes their rightful place in the art world. This landmark book includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases artists from more than seventy-five Indigenous tribes to reveal the ingenuity and innovation that have always been foundational to the art of Native women. Women have long been the creative force behind Native art. Hearts of Our People accompanies the first major exhibition of artwork by Native women, presented in close cooperation with top Native women artists and scholars, honoring the achievements of over 115 artists from the United States and Canada spanning over 1,000 years. Their triumphs?from pottery, textiles, and painting, to photographic portraits, to a gleaming El Camino?show astonishing innovation and technical mastery. Beautifully illustrated and enriched by the personal reflections, historical research, and artistic insights of leading scholars and artists in the field, Hearts of Our People: Native Women Artists pays tribute to the vital role and creative force of Native women artists, now and throughout time.
I Know What I Am : : the life and times of Artemisia Gentileschi by
In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Am highlights a fierce artist who stood up to a shameful social status quo.
Marking Time : art in the age of mass incarceration by
Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books "Best of 2020" Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America's prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
The Queens of Animation by
From the bestselling author of Rise of the Rocket Girls, the untold, "richly detailed" story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures). From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades. In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon. As the influence of Walt Disney Studios grew -- and while battling sexism, domestic abuse, and workplace intimidation -- these women also fought to transform the way female characters are depicted to young audiences. With gripping storytelling, and based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation reveals the vital contributions these women made to Disney's Golden Age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film. A Best Book of 2019: Library Journal, Christian Science Monitor, and Financial Times
Video/Art: the First Fifty Years by
A personal and expert account of the artists and events that defined the medium's first 50 years, written a true expert in the field 'London's book excites because it brings new artists into a lineage worthy of greater stuff. Her passion for lesser-known figures ... is contagious.' - ARTnews, The Best Art Books of 2020 Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. This first-hand account by the curator who has been following video art from its beginnings in the late 1960s, when artists first adapted portable consumer technology to art-making, spotlights video's ongoing importance in the art world, tracing the genre's development alongside the advances in technology that have continued to open up new possibilities for artists. London has worked closely and personally with the artists she writes about, who span generations, including Joan Jonas, Nam June Paik, Bill Viola, Shirin Neshat, Pipilotti Rist, Miranda July, Ragnar Kjartansson, and Ian Cheng. The text is both art-historical and personal - weaving together background information and insightful interpretations with unique anecdotes and experiences to trace the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing this, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.
Visual Culture by
How to think about what it means to look and see- a guide for navigating the complexities of visual culture The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see-color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West-somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume in the MIT Press Essential Knowledge series offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see-and what is at stake in doing so. Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples-from Judy Chicago's The Dinner Party and Beyonce and Jay-Z at the Louvre to the first images of a black hole-Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what- what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where- where are we allowed to see it, and where do we stand when we look? Then, who- whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when- is the visual detached from time? When do we see what we need to see?
Vitamin C, Clay and Ceramic in Contemporary Art by
A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin Ccelebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.
Vitamin D3: Today's Best in Contemporary Drawing by
Phaidon's 'Vitamin' series has long proved an extraordinarily accurate predictor of tomorrow's stars. This latest instalment is a cutting-edge and indispensable survey of the very best of contemporary drawing, as chosen by a panel of the world's leading art experts Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since Phaidon's publication of the first such surveys (Vitamin D in 2005 and D2 in 2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3showcases more than 100 such artists, as nominated by a global panel of more than 70 international art experts. The more than 70 nominators include such iconic figures as: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo León de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley. The more than 100 selected artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.
Where We Find Ourselves : the photographs of Hugh Mangum, 1897-1922 by
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
William Morris's Flowers by
A beautiful andinformative gift bookdevoted to designs byWilliam Morris thatincorporate flowers--acentral motif in hisoeuvre and one thatplayed a part in themajority of his designs. The leading figure of the Arts and Crafts Movement, William Morris (1834-1896) is one of the best-known and most popular of all British designers. A passionate advocate of craftsmanship over mass production, he designed a huge variety of objects, but it is his spectacular carpet, fabric, and wallpaper patterns that have continued to capture the popular imagination and influence interior designers and the decorative arts. Around six hundred such designs are attributed to Morris, most of which are based on nature, including trees, plants, and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris where flowers are the principal motif. The text traces the origins of Morris's flower-based designs: his own gardens at the Red House in Kent; sixteenth- and seventeenth-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and the range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum, now the Victoria and Albert Museum. Authored by Rowan Bain, senior curator at the William Morris Gallery, and lavishly illustrated with over one hundred color illustrations, William Morris's Flowers will both inform and delight.
Windward Community College Library